{"id":13498,"date":"2026-04-23T18:26:39","date_gmt":"2026-04-24T00:26:39","guid":{"rendered":"https:\/\/despertadormx.mx\/?p=13498"},"modified":"2026-04-23T18:26:40","modified_gmt":"2026-04-24T00:26:40","slug":"brasil-reinterpreta-colonialismo-en-pabellon-de-venecia","status":"publish","type":"post","link":"https:\/\/despertadormx.mx\/index.php\/2026\/04\/23\/brasil-reinterpreta-colonialismo-en-pabellon-de-venecia\/","title":{"rendered":"Brasil reinterpreta colonialismo en pabell\u00f3n de Venecia"},"content":{"rendered":"\n<p>El pabell\u00f3n de Brasil en la Bienal de Venecia 2026 presenta Comigo ningu\u00e9m pode, una exposici\u00f3n curada por Diane Lima que re\u00fane a Adriana Varej\u00e3o y Rosana Paulino. La propuesta ocupa todo el espacio con un enfoque instalativo que dialoga con la arquitectura moderna del edificio.<\/p>\n\n\n\n<p>Inspirada en la planta difenbaquia, s\u00edmbolo de protecci\u00f3n y resiliencia, la muestra plantea una experiencia sensorial que conecta naturaleza, espiritualidad e historia. A trav\u00e9s de obras de m\u00e1s de tres d\u00e9cadas, las artistas abordan las heridas del colonialismo y sus efectos en la memoria colectiva.<\/p>\n\n\n\n<p>El proyecto rompe con una narrativa lineal y propone una relectura desde la metamorfosis y la materialidad. Con un lenguaje visual que integra cuerpo, territorio y fe, la exposici\u00f3n construye un imaginario donde lo ancestral y lo contempor\u00e1neo convergen.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>El pabell\u00f3n de Brasil en la Bienal de Venecia 2026 presenta Comigo ningu\u00e9m pode, una exposici\u00f3n curada por Diane Lima que re\u00fane a Adriana Varej\u00e3o y Rosana Paulino. La propuesta ocupa todo el espacio con un enfoque instalativo que dialoga con la arquitectura moderna del edificio. Inspirada en la planta difenbaquia, s\u00edmbolo de protecci\u00f3n y [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":13480,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1137],"tags":[],"class_list":["post-13498","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cultura"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Brasil reinterpreta colonialismo en pabell\u00f3n de Venecia | despertador mx<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/despertadormx.mx\/index.php\/2026\/04\/23\/brasil-reinterpreta-colonialismo-en-pabellon-de-venecia\/\" \/>\n<meta property=\"og:locale\" content=\"es_MX\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Brasil reinterpreta colonialismo en pabell\u00f3n de Venecia | despertador mx\" \/>\n<meta property=\"og:description\" content=\"El pabell\u00f3n de Brasil en la Bienal de Venecia 2026 presenta Comigo ningu\u00e9m pode, una exposici\u00f3n curada por Diane Lima que re\u00fane a Adriana Varej\u00e3o y Rosana Paulino. La propuesta ocupa todo el espacio con un enfoque instalativo que dialoga con la arquitectura moderna del edificio. 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href=\"https:\/\/despertadormx.mx\/index.php\/category\/cultura\/\" rel=\"category tag\">Cultura<\/a>","rttpg_excerpt":"El pabell\u00f3n de Brasil en la Bienal de Venecia 2026 presenta Comigo ningu\u00e9m pode, una exposici\u00f3n curada por Diane Lima que re\u00fane a Adriana Varej\u00e3o y Rosana Paulino. La propuesta ocupa todo el espacio con un enfoque instalativo que dialoga con la arquitectura moderna del edificio. Inspirada en la planta difenbaquia, s\u00edmbolo de protecci\u00f3n y&hellip;","_links":{"self":[{"href":"https:\/\/despertadormx.mx\/index.php\/wp-json\/wp\/v2\/posts\/13498","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/despertadormx.mx\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/despertadormx.mx\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/despertadormx.mx\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/despertadormx.mx\/index.php\/wp-json\/wp\/v2\/comments?post=13498"}],"version-history":[{"count":1,"href":"https:\/\/despertadormx.mx\/index.php\/wp-json\/wp\/v2\/posts\/13498\/revisions"}],"predecessor-version":[{"id":13499,"href":"https:\/\/despertadormx.mx\/index.php\/wp-json\/wp\/v2\/posts\/13498\/revisions\/13499"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/despertadormx.mx\/index.php\/wp-json\/wp\/v2\/media\/13480"}],"wp:attachment":[{"href":"https:\/\/despertadormx.mx\/index.php\/wp-json\/wp\/v2\/media?parent=13498"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/despertadormx.mx\/index.php\/wp-json\/wp\/v2\/categories?post=13498"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/despertadormx.mx\/index.php\/wp-json\/wp\/v2\/tags?post=13498"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}